Bio | Beren Yüce

Seren YÜCE (1975, Turkey) studied archaeology and then worked as directing assistant on various television programmes. Yüce then made the transition to the film world as assistant director on respectively A Man’s Fear of God (Özer Kiziltan, 2006), The Edge of Heaven(Fatih Akin, 2007) and Pandora’s Box (Yesim Ustaoglu, 2008). Majority is his feature debut.

Çogunluk/Majority (2010)

Bio | Belma Bas

Belma Bas
Belma BAS (1969, Ordu, Turkey) received her BA in English Literature from Istanbul University in 1992. A literary translator since 1990, she also worked full-time for Turkish film institutes as an international relations and festival manager from 1991 to 1998. Her debut short film Poyraz (Boreas) premiered in the official competition at the 59th Cannes Film Festival. Zephyr is her first feature length film.

Poyraz/Boreas (2006, short) WATCH, Zefir/Zephyr (2010)

A French Award for Majority by Seren Yüce

Young European filmmakers are invited to Angers to present their first films (competition of 9 full length European films) to the audience, industry professionals, and press. More than 80 films are screened in 6 official categories: European and French short and feature films, European student films and European animated films. 200,000 Euros in awards are given out by juries and the public at the end of the festival.

Jury of Festival Premiers Plans d'Angers 2011. Left to Right from the top Claude-Eric POIROUX(Délégué général), Clémence POESY, Nater T. HOMYOUN, Wen WU, Xavier KAWA-TOPOR, Yannick RENIER. (Bottom left) Carmen MAURA, Robert GUEDIGUIAN, et Tonie MARSHALL. Mardi 25 janvier 2011. (Photo: Thierry BONNET/Ville d'Angers)


GRAND JURY PRIZE EUROPEAN FEATURE FILMS (Equal)
ÇOGUNLUK (Majority) by Seren Yuce, Turkey -and- OBRATNOE DVIZHENIE (Reverse Motion) by Andrey Stempkovsky, Russia
10 000 € (Ville d’Angers, Fondation Groupama Gan pour le Cinéma, Le Monde) to the French distributor for the promotion of the film. 1 000 € to the director by the Fondation Groupama Gan pour le Cinéma. Free subtitling offered by LVT for the distribution of the film in France
Mavi Boncuk |

MAJORITY | ÇOGUNLUK | Seren Yüce | 2010 - Turquie - 102mn

Twenty-one-year-old Mertkan has a stable but unfulfilling life in Istanbul: living at home with his parents, working as an office boy in his father‘s construction company, hanging out with his buddies in shopping malls and discos. When he meets Gül, a Kurdish girl from eastern Turkey, awkward Mertkan starts to become a bit more self-confident. But Mertkan‘s father opposes any association with “those people who only want to divide our country”.

Seren Yüce was born in Istanbul in 1975. He graduated from Bilkent University of Ankara, Archeology Department. Between 1999- 2005 he worked as 1st AD on television series. In 2006, he was the 1st AD in Özer Kiziltan’s Takva / A Man’s Fear of God and 1st AD in Fatih Akin’s The Edge of Heaven. Recently, he was the 1st AD for Yesim Ustaoglu in Pandora’s Box. Çogunluk is his first feature length film.

Çogunluk is a piece of self-criticism: of myself, and of the Turkish society. […] The film is set in Istanbul, which has the typical silhouette of any developing country’s metropole, littered with a dusty mixture of yellow and grey concrete. I feel that Architecture is the clothing of a society. This “clothing” is therefore very important to me when thinking of the visual composition of the film. The way the city is clothed tells a lot about the place, its inhabitants, and affects their lifestyle, their interactions with fellow inhabitants. […] My aim is to take a look at “us” through the story of a family. It would be wrong and inadequate to generalise and summarise Turkish society by Mertkan and his family’s story. Turkey is built on many economic and cultural levels, it is composed of many diverse ethnic groups. The mentality of the ruling class is perpetuated widely into the society. Mertkan and his father are examples of this mentality and products of this perpetuation. At the moment there are numerous movements in Turkey which must be reckoned with in order to break this oppressing mentality. Through the film Çogunluk, I sincerely hope to create some awareness among today’s youth and the upcoming generations, reminding all of us that education and social change start, first and foremost, in the family.

CAST AND CREW
Cast : Bartu Küçükçaglayan, Settar Tanriögen, Nihal Koldas, Esme Madra
Scénario : Seren Yüce
Image : Bari Özbiçer
Son : Mustafa Bölükba
Montage : Mary Stephen

Production : Yeni Sinemacilik, Sevil Demirci, Önder Çakar

Ventes internationales : The Match Factory
Balthasarstr. 79 – 81
50670 Cologne Allemagne
Tel : +49 221 539 709-0 / Email : info@matchfactory.de

When We Leave (Die Fremde) by Feo Aladag

Scene from "When We Leave" (photo © 2008 Independent Artists Filmproduktion/Manfred Horender)

When We Leave (Die Fremde)

What would you sacrifice for your family’s love? Your values? Your freedom? Your independence? German-born Umay flees her oppressive marriage in Istanbul, taking her young son Cem with her. She is hoping to find a better life with her family in Berlin, but her unexpected arrival creates intense conflict. Her family is trapped in their conventions, torn between their love for her and the values of their community. Ultimately they decide to return Cem to his father in Turkey. To keep her son, Umay is forced to move again. She finds the inner strength to build a new life for her and Cem, but her need for her family’s love drives her to a series of ill-fated attempts at reconciliation. What Umay doesn’t realize is just how the wounds have gone and how dangerous her struggle for self-determination has become...

Director Feo Aladag
Screenplay Feo Aladag
Director of Photography Judith Kaufmann
Editor Andrea Mertens
Music by Max Richter
Production Design Silke Buhr
Producers Feo Aladag, Zueli Aladag
Production Company Independent Artists Filmproduktion/Berlin, in co-production with WDR/Cologne, RBB/Potsdam-Babelsberg, ARTE/Strasbourg
Principal Cast Sibel Kekilli, Derya Alabora, Settar Tanrioegen, Nizam Schiller, Tamer Yigit, Serhad Can, Almila Bagriacik, Florian Lukas, Alwara Hoefels, Nursel Koese, Ufuk Bayraktar, Blanca Apilánez
Length 119 min
Format 35 mm, color, cs
Original Version German/Turkish
Subtitled Versions German, English
Sound Technology Dolby SRD
With backing from German Federal Film Board (FFA), BKM, Medienboard Berlin-Brandenburg, Filmstiftung NRW, Kuratorium junger deutscher Film
German Distributor Delphi Filmverleih/Berlin

World Sales
TELEPOOL GmbH
Irina Ignatiew
Sonnenstrasse 21
80331 Munich/Germany
phone +49-89-55 87 60
fax +49-89-55 87 62 29
email: cinepool@telepool.de
http://www.telepool.de

Feo Aladag was born in 1972 in Vienna. She began her career as an actress, completing her training in London and Vienna from 1990-1995. While studying Acting she completed a Master in Psychology and Journalism, continuing on to receive her PhD in 2000. She acted in numerous acclaimed film and television productions while attending various master-classes and directing seminars at the European Film Academy as well as the German Film and Television Academy. During this time she also maintained a successful career as a scriptwriter and commercial film director. In 2005, Feo Aladag founded the production company Independent Artists, responsible for her debut as the producer, director and writer of When We Leave (Die Fremde, 2009).

Tribeca | Hüseyin Karabey

Hüseyin Karabey

Hüseyin Karabey is regarded as one of Turkey's new directing talents at a time when the independent film scene in Turkey is beginning to gain global attention. Karabey developed My Marlon and Brando with Ayça Damgaci, whose true story it tells. Karabey's previous work includes Boran, a short film that explores the disappearances of 5,000 political activists in Turkey during the '90s by merging fact and dramatic treatment, and the feature-length docudrama Silent Death. His documentary Breath was an exclusive look at Pina Bausch, the world-famous German choreographer. Karabey lectures at universities and cultural organizations in Turkey, and his films have won numerous awards.

Director Statement (My Marlon and Brando)

My Marlon and Brando is not a story that we’re used to seeing on screen. It is a story that moves from West to East, against the common current, in a quest for happiness. It is also the true powerful love story of Hama Ali and Ayça. I hope it can shatter some perceptions of the region and introduce audiences to some real, passionate characters. My Marlon and Brando is a personal story that echoes both my own experiences and those of Ayça, whose story it tells. Ayça plays herself in the film. Despite the emotional challenge, she was determined to take audiences on the journey she made herself five years ago.

I passionately believe that if we all had the chance to hear someone else’s story every day of our lives, there would be much deeper cultural understanding. Ayça and I developed the script together with reality intercepting throughout the production period. Ultimately My Marlon and Brando is a love story set against a violent political landscape that is the tragic reality. To me, as challenges in the region continue, it is so important that we do not forget the individuals who inhabit this landscape.

This film blends the real and the fictitious, exposing the interpretive channels shaped by broadcasting policy and national interest, through which we are usually presented life in Iran and Iraq. In the end, our unlikely hero Hama Ali is no longer a faceless refugee from the news but a man who we have come to really know through his charming video love letters.

Ayça’s journey through Iran, Iraq, and Turkey also helps us to witness the meaninglessness of the borders between these countries. We hear the same music and the same jokes across the official borders that provide such a barrier between Ayça and her love.

Profile | Çağan Irmak

Çağan Irmak was born in Izmir in 1970. He graduated from Aegean University, School of Press and Broadcasting from the department of Radio-TV. He has been awarded the "Sedat Simavi" prize for his short films "Fairy-Tale" and "Victim", which were shot during his time at university. In 1992 he started working in the movie industry as an assistant director to various acclaimed directors. A few of these directors are as following: Orhan Oğuz, Mahinur Ergun, Filiz Kaynak and Yusuf Kurçenli. His short film "Play Me Old and Wise", which he both wrote and directed himself, was awarded the first runner up prize at IFSAK (Istanbul Photography and Cinema Association) in 1998 and then went on to be screened at the London Film Festival.

After his extensive experience as an assistant director, Irmak started to work as a director in television and quickly made a name for himself with his original style of storytelling and his technical expertise. He eventually became a household name with two projects; ‘Asmalı Konak’(2002), which was also shown on Greek television, and ‘Çemberimde Gül Oya’(2004), which was a project that he had written himself and had managed to shed light on a specific period of political history bringing a wide range of audiences together despite their generational gaps.

His first feature film "Wish Me Luck" was produced in 2001. In 2004 his second feature film which he had both written and directed, "All About Mustafa", was highly acclaimed by film critics. In 2005 his third feature film, which he again had both written and directed, "My Father and Son" was awarded the "Best Director", "Best Screenplay" and "Best Picture" prizes by the Turkish Film Critics’ Association.

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Short Films
Play Me Old and Wise (1998)

Features
Wish Me Luck (2001)
All About Mustafa (2003)
My Father and Son (2005)
The Messenger (2007)


"ALL ABOUT MUSTAFA" LIST OF AWARDS:

41st GOLDEN ORANGE AWARDS
Behlul Dal Jury Special Prize
Best Song Award

26th TURKISH FILM CRITICS’ ASSOCIATION AWARDS
Best Supporting Actress
Serif Sezer


"MY FATHER AND SON" LIST OF AWARDS:

13th CASOD (Contemporary Movie Actors Society) "Best Actor" Awards, 2006

Jury Special Prize
Yetkin Dikinciler
Best Leading Actor
Çetin Tekindor

25th Istanbul Film Festival, 2006

Best Leading Actor
Fikret Kuşkan
Best Leading Actress
Şerif Sezer
People's Choice Award
Çağan Irmak

11th Nurnberg Turkish/German Film Festival, 2006

People's Choice Award
Çağan Irmak

11th Sadri Alisik Awards, 2006

Best Supporting Actress
Özge Özberk

27th SIYAD (Association of Movie Critics) Turkish Film Awards, 2006

Best Leading Actor
Çetin Tekindor
Best Picture
Çağan Irmak
Best Director
Çağan Irmak
Best Supporting Actress
Şerif Sezer
Best Leading Actress
Hümeyra
Best Screenplay
Çağan Irmak

Profile | Fatih Akin

Fatih Akin was born in 1973 in Hamburg and began studying Visual Communications at Hamburg's College of Fine Arts in 1994. In 1995, he wrote and directed his first short feature, Sensin - You're The One! (Sensin - Du bist es!), which received the Audience Award at the Hamburg International Short Film Festival, followed by Weed (Getuerkt, 1996). His first full length feature film, Short Sharp Shock (Kurz und schmerzlos, 1998), won the Bronze Leopard at Locarno and the Bavarian Film Award (Best Young Director) in 1998. His other films include: In July (Im Juli, 2000), Wir haben vergessen zurueckzukehren (2001), Solino (2002), the Berlinale Golden Bear-winner and winner of the German and European Film Awards Head-On (Gegen die Wand, 2003), Crossing the Bridge - The Sound of Istanbul (2005), and The Edge of Heaven (Auf der anderen Seite, 2007).

2008 | Chico by Özgür Yildirim

The latest corazón-production CHIKO, a first feature film by Özgür
Yildirim, will be premiered at the Berlinale 08 in the Panorama section


Chico Germany 2007/2008, Feature Film
Credits
Director Özgür Yildirim
Screenplay Özgür Yildirim
Director of photography Matthias Bolliger
Cast :
Denis Moschitto Chiko
Moritz Bleibtreu Brownie
Volker Özcan Tibet
Philipp Baltus Scholle
Jelica Batarilo Schwester Jessica
Fahri Ögün Yardim Curly

Production company:Corazón International GmbH & Co. KG (Hamburg)
Producer Fatih Akin; Klaus Maeck

Özgür Yildirim
born 1979 Hamburg

2007/2008 Chiko
Screenplay,Director
2004 Alim Market
Director
2003 Der nötige Schneid/Under the Knife
Director

Profile | Fatih Akin (1973- ....)

Fatih Akin was born in 1973 in Hamburg of Turkish parentage. He began studying Visual Communications at Hamburg's College of Fine Arts in 1994. His collaboration with Wueste Film also dates from this time. In 1995, he wrote and directed his first short feature, Sensin - You're The One! (Sensin - Du bist es!), which received the Audience Award at the Hamburg International Short Film Festival. His second short film, Weed (Getuerkt, 1996), received several national and international festival prizes. His first full length feature film, Short Sharp Shock (Kurz und schmerzlos, 1998) won the Bronze Leopard at Locarno and the Bavarian Film Award (Best Young Director) in 1998. His other films include: In July (Im Juli, 2000), Wir haben vergessen zurueckzukehren (2001), Solino (2002), the Berlinale Golden Bear-winner and winner of the German and European Film Awards Head-On (Gegen die Wand, 2003), and Crossing the Bridge - The Sound of Istanbul (2005).

Filmography

Director
Crossing the Bridge - The Sound of Istanbul and Screenplay/Producer
Head-On (Gegen die Wand) and Screenplay
Solino
In July (Im Juli)
Short Sharp Shock (Kurz und schmerzlos) and Screenplay

Screenplay
Kebab Connection

Principal CastKismet



corazón international
Fatih Akin, Klaus Maeck, Andreas Thiel
Ditmar-Koel-Strasse 26 20459 Hamburg/Germany
phone: +49-40-31 25 15
fax: +49-40-31 34 11
Email: amt@corazon-int.de
http://www.corazon-int.de