INAF-466-01 Georgetown University
SCREENING and LECTURE by ERJU ACKMAN Tue 6:15-8:15PM ICC 118
COURSE by DAVID CUTHELL Wed 4:15-6:05 ICC 206
BORDERS IDEOLOGY AND IDENTITY
1.YOL
2.PROPAGANDA
IDENTITY IN A RURAL SETTING
3.WAITING FOR THE CLOUDS/BULUTLARI BEKLERKEN
4.TIMES AND WINDS/FIVE TIMES/BES VAKIT
TRANSPORTED IDENTITIES IN AN URBAN SETTING
5.ESKIYA/BANDIT
6.BRIDE/GELIN
IDENTITY AND MARGINALIZATION
7.SOMERSAULT IN A COFFIN/TABUTTA ROVESATA
8.TAKVA
IDENTITIES OF REAL AND ASSUMED FAMILIES
9.FATHER AND SON/BABAM VE OGLUM
10.HOKKABAZ
DUAL IDENTITIES OF EU TURKS
11.EDGE OF HEAVEN -or- HEAD ON
__________________________________
SOURCES
Click to get a PDF of Turkish Cinema History 1897-2006
The Ten Best Turkish Films of All Time (2003 Poll)
__________________________________
SCREENING and LECTURE by ERJU ACKMAN Tue 6:15-8:15PM ICC 118
COURSE by DAVID CUTHELL Wed 4:15-6:05 ICC 206
BORDERS IDEOLOGY AND IDENTITY
1.YOL
2.PROPAGANDA
IDENTITY IN A RURAL SETTING
3.WAITING FOR THE CLOUDS/BULUTLARI BEKLERKEN
4.TIMES AND WINDS/FIVE TIMES/BES VAKIT
TRANSPORTED IDENTITIES IN AN URBAN SETTING
5.ESKIYA/BANDIT
6.BRIDE/GELIN
IDENTITY AND MARGINALIZATION
7.SOMERSAULT IN A COFFIN/TABUTTA ROVESATA
8.TAKVA
IDENTITIES OF REAL AND ASSUMED FAMILIES
9.FATHER AND SON/BABAM VE OGLUM
10.HOKKABAZ
DUAL IDENTITIES OF EU TURKS
11.EDGE OF HEAVEN -or- HEAD ON
__________________________________
SOURCES
Click to get a PDF of Turkish Cinema History 1897-2006
The Ten Best Turkish Films of All Time (2003 Poll)
__________________________________
FALL 2008 Articles
1. The Russian Monument at Ayastefanos (San Stefano): Between Defeat and Revenge, Remembering and Forgetting Dilek kaya Mutlu
2. Becoming Undone: Contesting Nationalisms in Contemporary Turkish Popular Cinema Gokcen Karanfil
2. Becoming Undone: Contesting Nationalisms in Contemporary Turkish Popular Cinema Gokcen Karanfil
3. Turkish Cinema in the New Europe Angelica Fenner
4. Screening identities at and beyond Europe’s borders Paul Cooke , Rob Stone
5. Istanbul Film 2005 By N. Buket Cengiz
6. No place like home? Or impossible homecomings in the films of Fatih Akin Daniela Berghahn
http://www.box.net/shared/brc0dtvny6
7. Deep nation
__________________________________
FALL 2007 Articles
PDF File 1
On Film narrative and Narrative meaning / George Wilson
Notes on Spectator Emotion and Ideological Film Criticism /Carl Plantinga
PDF File 2
The Matrix of Visual Culture/ Patricia Pisters
On Film narrative and Narrative meaning / George Wilson
Notes on Spectator Emotion and Ideological Film Criticism /Carl Plantinga
PDF File 2
The Matrix of Visual Culture/ Patricia Pisters
Chapter 6 (de)Terrorialising Forces of the Sound Machine
PDF File 3
Questions of Genre/ Steve Neale
Towards a Third Cinema/ Fernando Solanas and Octavio Gettino
PDF File 4
Deleuze’s Toolbox and Glossary to Cinema 1 and Cinema 2
PDF File 5
Remapping World Cinema / Identitiy, culture and politics in film Towards a positive definition of World Cinema/Lucia Nagip Consuming 'Bollywood' in the global age: the stange case of 'unfine' world cinema/Kushik Bhaumik
PDF File 6
The Real Gaze: Film Theory after Lacan Introduction Todd McGowan
PDF File 3
Questions of Genre/ Steve Neale
Towards a Third Cinema/ Fernando Solanas and Octavio Gettino
PDF File 4
Deleuze’s Toolbox and Glossary to Cinema 1 and Cinema 2
PDF File 5
Remapping World Cinema / Identitiy, culture and politics in film Towards a positive definition of World Cinema/Lucia Nagip Consuming 'Bollywood' in the global age: the stange case of 'unfine' world cinema/Kushik Bhaumik
PDF File 6
The Real Gaze: Film Theory after Lacan Introduction Todd McGowan
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2 comments:
I`m confused is this a class schedule only for Gtown students or open to every one?
Open to others on space availability for the screenings only. to attend a screening send e mail to eackman(at)gmail(dot)com
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