Applications are now open for the "Germany-Turkey Co-Production Development Fund,"
Turkish Cinema never widely captured film market unless a well-connected
European distributer has the rights or proven auteur Nuri Bilge Ceylan makes his
next film.
Turkish films are rarely present in ‘Main Competition Selection’
of major film festivals save second-tier competition programs for first films
or up and coming talent mainly catering to Art House audiences usually produced
with multi country co-productions.
Opportunities are limited for making films that appeal to
festival programmers. The support provided by the Ministry of Culture to the
cinema industry nearly doubled in 2024, only reaching 2.4 million US dollars divided
between 22 projects in feature, co-production and post-production. It is a
small amount at par with Nasreddin Hodja adding yeast into a lake hoping to
make yogurt. However, there are other small and successful funds with a proven record.
Application
Deadline Announced
Applications are now open for The Germany-Turkey
Co-Production Development Fund, established in 2011 by the Istanbul Foundation
for Culture and Arts (İKSV), with the support of Anadolu Efes, as part of the
Istanbul Film Festival, in collaboration with Medienboard Berlin-Brandenburg and
the Hamburg Schleswig-Holstein Film Fund, will be held for the 15th time this
year. The fund, launched to support feature-length co-production projects
between Germany and Turkey, is open to all feature-length German Turkish
co-productions that have not yet begun filming.
The fund aims to support feature-length co-productions and
cultural exchange between the two countries. This fund is still a valuable
resource for encouraging new voices and expanding the boundaries of
international co-productions. The fund is small and has provided only a total
of €1,096,000 in support until this year in total to bring original cinematic
stories to the screen.
The rules
and regulations of the "Germany-Turkey Co-Production Development
Fund and Application
form are available for the 2025 cycle. And questions can be sent to:
onthebridge@iksv.org
A Fund
with Results
No matter how small, the fund’s financial support for of the
67 films gained a place and recognition by premiering at festivals such as:
Kız Kardeşler (Sisters) (Emin Alper) Berlinale Main Competition.
The Album (Mehmetcan Mertoğlu) Cannes Film Festival Critics' Week.
Ansızın (Aslı Özge) Berlinale Panorama.
Until My Breath Stops (Emine Emel Balcı) Berlinale the Forum.
The Blue Bicycle (Ümit Köreken) Berlinale Generation
Sesime Gel (Hüseyin Karabey) Berlinale Generation.
My Father's Wings (Kivanç Sezer) Karlovy Vary Film Festival Main
Competition.
Kardeşler (Ömür Atay) Karlovy Vary Film Festival Main Competition.
Bir Nefes Daha (Nisan Dağ) Tallinn Black Nights Film Festival.
Zuhal (Nazlı Elif Durlu) Antalya Golden Orange Film Festival.
Les Enfants Teribles (Ahmet Necdet Cupur) Visions du Reel.
Ela and Hilmi and Ali (Ziya Demirel) the Istanbul Film Festival winning four
awards,
Snow and the Bear (Selcen Ergun) Toronto Film Festival
Yurt (Nehir Tuna) Venice Film Festival.
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